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sition (artifact of American cultural imperialism), but rather part of, and extension of, Puerto Rican cultural experience, and should be acknowledged. Book Reviews 163. and embraced as such (p. 184). Latino, specifically Puerto Rican, matrix of the South Bronx, as New York City, such as East The main argument and focus.


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About this book. New York Puerto Ricans have been an integral part of hip hop culture since day one: from 1970s pioneers like Rock Steady Crew's Jo-Jo, to recent rap mega-stars Big Punisher (R.I.P.) and Angie Martinez. Yet, Puerto Rican participation and contributions to hip hop have often been downplayed and even completely ignored.


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New York Puerto Ricans have been an integral part of hip hop culture since the very beginning: from 1970s pioneers like Rock Steady Crew's Jo-Jo, to recent rap mega-stars Big Punisher and Angie Martinez. Yet, Puerto Rican participation and contributions to hip hop is frequently downplayed, if not completely ignored. When their presence has been acknowledged, it is usually misinterpreted as a.


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New York Puerto Ricans have been an integral part of hip hop culture since day one: from 1970s pioneers like Rock Steady Crew's Jo-Jo, to recent rap mega-stars Big Punisher (R.I.P.) and Angie Martinez. Yet, Puerto Rican participation and contributions to hip hop have often been downplayed and even completely ignored. And when their presence has been acknowledged, it has frequently been.


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New York Puerto Ricans have been an integral part of hip hop culture since day one: from 1970s pioneers like Rock Steady Crew's Jo-Jo, to recent rap mega-stars Big Punisher (R.I.P.) and Angie Martinez. Yet, Puerto Rican participation and contributions to hip hop have often been downplayed and even completely ignored. And when their presence has been acknowledged, it has frequently been.


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Author of New York Ricans from the Hip Hop Zone (Palgrave Macmillan 2003) and co-editor of Reggaeton (Duke University Press), she has also published numerous articles on Caribbean and Latino popular music and culture. She has a Ph.D. in Sociology and is Affiliated Scholar at the Center for Puerto Rican Studies, Hunter College, New York City.


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New York Ricans from the Hip Hop Zone. New York: Palgrave Macmillan, 2003. Reviewed by Joseph Schloss, Reviewed by Joseph Schloss. Tufts University. Search for more papers by this author. Reviewed by Joseph Schloss, Reviewed by Joseph Schloss. Tufts University.


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Get this from a library! New York Ricans from the Hip Hop Zone.. [Raquel Z Rivera] -- This volume explores the history of hip hop music from the standpoint of the New York Puerto Rican community which has been instrumental in its development.


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New York Ricans from the hip hop zone Bookreader Item Preview. New York [u.a.] Containerid_2 X0008 Donor bostonpubliclibrary Edition 1. publ., 1. ed. External-identifier urn:oclc:record:1150002057 urn:lcp:isbn_9781403960443:lcpdf:b93c4249-21e0-448d-88ab-773c13430106


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NEW YORK RICANS FROM THE HIP HOP ZONE Raquel Z. Rivera, . . Palgrave, $19.95 (304pp) ISBN 978-1-4039-6044-3. In this brief, scholarly book, freelance journalist Rivera acknowledges Puerto Ricans.


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New York Ricans from the Hip Hop Zone - Ebook written by R. Rivera. Read this book using Google Play Books app on your PC, android, iOS devices. Download for offline reading, highlight, bookmark or take notes while you read New York Ricans from the Hip Hop Zone.


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New York. Publication Language. eng. ISBN or ASIN Number. 1403960445. Copies at the Archive. 1. From Publishers Weekly In this brief, scholarly book, freelance journalist Rivera acknowledges Puerto Ricans for their contributions to hip-hop music over the past 30 years. It's debatable just how much credit is deserved, considering Rivera comes up.